{"id":1198,"date":"2024-06-14T15:19:52","date_gmt":"2024-06-14T07:19:52","guid":{"rendered":"https:\/\/www.yeguozi.com\/?page_id=1198"},"modified":"2024-06-14T16:47:43","modified_gmt":"2024-06-14T08:47:43","slug":"academy-award-for-best-cinematography","status":"publish","type":"page","link":"https:\/\/www.yeguozi.com\/?page_id=1198","title":{"rendered":"\u6700\u4f73\u6444\u5f71\u5956\uff081928-2024\uff09"},"content":{"rendered":"\n

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\u7535\u5f71\u540d<\/th>\u4e2d\u6587\u540d\u79f0<\/th>\u6444\u5f71\u5e08<\/th>\u5e74\u4efd<\/th>\u5956\u9879<\/th>\n<\/tr>\n<\/thead>\n
El Conde<\/td>\u4f2f\u7235<\/td>Edward Lachman<\/td>2023<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Killers of the Flower Moon<\/td>\u82b1\u6708\u6740\u624b<\/td>Rodrigo Prieto<\/td>2023<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Maestro<\/td>\u97f3\u4e50\u5927\u5e08<\/td>Matthew Libatique<\/td>2023<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Oppenheimer<\/td>\u5965\u672c\u6d77\u9ed8<\/td>Hoyte van Hoytema<\/td>2023<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Poor Things<\/td>\u53ef\u601c\u7684\u4e1c\u897f<\/td>Robbie Ryan<\/td>2023<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
All Quiet on the Western Front<\/td>\u897f\u7ebf\u65e0\u6218\u4e8b<\/td>James Friend<\/td>2022<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Bardo, False Chronicle of a Handful of Truths<\/td>\u8bd7\u4eba<\/td>Darius Khondji<\/td>2022<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Elvis<\/td>\u732b\u738b<\/td>Mandy Walker<\/td>2022<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Empire of Light<\/td>\u5149\u4e4b\u5e1d\u56fd<\/td>Roger Deakins<\/td>2022<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
T\u00e1r<\/td>\u5854\u5c14<\/td>Florian Hoffmeister<\/td>2022<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Dune<\/td>\u6c99\u4e18<\/td>Greig Fraser<\/td>2021<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Nightmare Alley<\/td>\u5669\u68a6\u5927\u9053<\/td>Dan Laustsen<\/td>2021<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Power of the Dog<\/td>\u72ac\u4e4b\u529b<\/td>Ari Wegner<\/td>2021<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Tragedy of Macbeth<\/td>\u9ea6\u514b\u767d\u7684\u60b2\u5267<\/td>Bruno Delbonnel<\/td>2021<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
West Side Story<\/td>\u897f\u533a\u6545\u4e8b<\/td>Janusz Kami\u0144ski<\/td>2021<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Mank<\/td>\u66fc\u514b<\/td>Erik Messerschmidt<\/td>2020<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Judas and the Black Messiah<\/td>\u72b9\u5927\u4e0e\u9ed1\u8272\u6551\u4e16\u8005<\/td>Sean Bobbitt<\/td>2020<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
News of the World<\/td>\u4e16\u754c\u65b0\u95fb<\/td>Dariusz Wolski<\/td>2020<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Nomadland<\/td>\u6e38\u7267\u4e4b\u5730<\/td>Joshua James Richards<\/td>2020<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Trial of the Chicago 7<\/td>\u829d\u52a0\u54e5\u4e03\u4eba\u7ec4\u7684\u5ba1\u5224<\/td>Phedon Papamichael<\/td>2020<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
1917<\/td>\u4e00\u4e5d\u4e00\u4e03<\/td>Roger Deakins<\/td>2019<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
The Irishman<\/td>\u7231\u5c14\u5170\u4eba<\/td>Rodrigo Prieto<\/td>2019<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Joker<\/td>\u5c0f\u4e11<\/td>Lawrence Sher<\/td>2019<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Lighthouse<\/td>\u706f\u5854<\/td>Jarin Blaschke<\/td>2019<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Once Upon a Time in Hollywood<\/td>\u597d\u83b1\u575e\u5f80\u4e8b<\/td>Robert Richardson<\/td>2019<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Roma<\/td>\u7f57\u9a6c<\/td>Alfonso Cuar\u00f3n<\/td>2018<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Cold War<\/td>\u51b7\u6218<\/td>\u0141ukasz \u017bal<\/td>2018<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Favourite<\/td>\u5ba0\u513f<\/td>Robbie Ryan<\/td>2018<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Never Look Away<\/td>\u6c38\u4e0d\u7791\u76ee<\/td>Caleb Deschanel<\/td>2018<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
A Star Is Born<\/td>\u4e00\u4e2a\u660e\u661f\u7684\u8bde\u751f<\/td>Matthew Libatique<\/td>2018<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Blade Runner 2049<\/td>\u94f6\u7ffc\u6740\u624b2049<\/td>Roger Deakins<\/td>2017<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Darkest Hour<\/td>\u9ed1\u6697\u65f6\u523b<\/td>Bruno Delbonnel<\/td>2017<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Dunkirk<\/td>\u6566\u523b\u5c14\u514b<\/td>Hoyte van Hoytema<\/td>2017<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Mudbound<\/td>\u6ce5\u571f\u4e4b\u754c<\/td>Rachel Morrison<\/td>2017<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Shape of Water<\/td>\u6c34\u5f62\u7269\u8bed<\/td>Dan Laustsen<\/td>2017<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
La La Land<\/td>\u7231\u4e50\u4e4b\u57ce<\/td>Linus Sandgren<\/td>2016<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Arrival<\/td>\u5230\u6765<\/td>Bradford Young<\/td>2016<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Lion<\/td>\u72ee\u5b50<\/td>Greig Fraser<\/td>2016<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Moonlight<\/td>\u6708\u5149\u7537\u5b69<\/td>James Laxton<\/td>2016<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Silence<\/td>\u5bc2\u9759<\/td>Rodrigo Prieto<\/td>2016<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Revenant<\/td>\u8352\u91ce\u730e\u4eba<\/td>Emmanuel Lubezki<\/td>2015<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Carol<\/td>\u5361\u7f57\u5c14<\/td>Edward Lachman<\/td>2015<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Hateful Eight<\/td>\u516b\u6076\u4eba<\/td>Robert Richardson<\/td>2015<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Mad Max: Fury Road<\/td>\u75af\u72c2\u7684\u9ea6\u514b\u65af\uff1a\u72c2\u66b4\u4e4b\u8def<\/td>John Seale<\/td>2015<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Sicario<\/td>\u8fb9\u5883\u6740\u624b<\/td>Roger Deakins<\/td>2015<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Birdman: Or (The Unexpected Virtue of Ignorance)<\/td>\u9e1f\u4eba<\/td>Emmanuel Lubezki<\/td>2014<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
The Grand Budapest Hotel<\/td>\u5e03\u8fbe\u4f69\u65af\u5927\u996d\u5e97<\/td>Robert Yeoman<\/td>2014<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Ida<\/td>\u4fee\u5973\u827e\u8fbe<\/td>\u0141ukasz \u017bal and Ryszard Lenczewski<\/td>2014<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Mr. Turner<\/td>\u900f\u7eb3\u5148\u751f<\/td>Dick Pope<\/td>2014<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Unbroken<\/td>\u575a\u4e0d\u53ef\u6467<\/td>Roger Deakins<\/td>2014<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Gravity<\/td>\u5730\u5fc3\u5f15\u529b<\/td>Emmanuel Lubezki<\/td>2013<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
The Grandmaster<\/td>\u4e00\u4ee3\u5b97\u5e08<\/td>Philippe Le Sourd<\/td>2013<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Inside Llewyn Davis<\/td>\u9189\u4e61\u6c11\u8c23<\/td>Bruno Delbonnel<\/td>2013<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Nebraska<\/td>\u5185\u5e03\u62c9\u65af\u52a0<\/td>Phedon Papamichael<\/td>2013<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Prisoners<\/td>\u5931\u8e2a\u8005<\/td>Roger Deakins<\/td>2013<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Life of Pi<\/td>\u5c11\u5e74\u6d3e\u7684\u5947\u5e7b\u6f02\u6d41<\/td>Claudio Miranda<\/td>2012<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Anna Karenina<\/td>\u5b89\u5a1c\u00b7\u5361\u5217\u5c3c\u5a1c<\/td>Seamus McGarvey<\/td>2012<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Django Unchained<\/td>\u88ab\u89e3\u653e\u7684\u59dc\u6208<\/td>Robert Richardson<\/td>2012<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Lincoln<\/td>\u6797\u80af<\/td>Janusz Kami\u0144ski<\/td>2012<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Skyfall<\/td>007\uff1a\u5927\u7834\u5929\u5e55\u6740\u673a<\/td>Roger Deakins<\/td>2012<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Hugo<\/td>\u96e8\u679c<\/td>Robert Richardson<\/td>2011<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
The Artist<\/td>\u827a\u672f\u5bb6<\/td>Guillaume Schiffman<\/td>2011<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Girl with the Dragon Tattoo<\/td>\u653e\u725b\u73ed\u7684\u6625\u5929<\/td>Jeff Cronenweth<\/td>2011<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Tree of Life<\/td>\u751f\u547d\u4e4b\u6811<\/td>Emmanuel Lubezki<\/td>2011<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
War Horse<\/td>\u6218\u9a6c<\/td>Janusz Kami\u0144ski<\/td>2011<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Inception<\/td>\u76d7\u68a6\u7a7a\u95f4<\/td>Wally Pfister<\/td>2010<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Black Swan<\/td>\u9ed1\u5929\u9e45<\/td>Matthew Libatique<\/td>2010<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The King’s Speech<\/td>\u56fd\u738b\u7684\u6f14\u8bb2<\/td>Danny Cohen<\/td>2010<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Social Network<\/td>\u793e\u4ea4\u7f51\u7edc<\/td>Jeff Cronenweth<\/td>2010<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
True Grit<\/td>\u5927\u5730\u60ca\u96f7<\/td>Roger Deakins<\/td>2010<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Avatar<\/td>\u963f\u51e1\u8fbe<\/td>Mauro Fiore<\/td>2009<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Harry Potter and the Half-Blood Prince<\/td>\u54c8\u5229\u00b7\u6ce2\u7279\u4e0e\u6df7\u8840\u738b\u5b50<\/td>Bruno Delbonnel<\/td>2009<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Hurt Locker<\/td>\u62c6\u5f39\u90e8\u961f<\/td>Barry Ackroyd<\/td>2009<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Inglourious Basterds<\/td>\u65e0\u803b\u6df7\u86cb<\/td>Robert Richardson<\/td>2009<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The White Ribbon<\/td>\u767d\u4e1d\u5e26<\/td>Christian Berger<\/td>2009<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Slumdog Millionaire<\/td>\u8d2b\u6c11\u7a9f\u7684\u767e\u4e07\u5bcc\u7fc1<\/td>Anthony Dod Mantle<\/td>2008<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Changeling<\/td>\u6362\u5b50\u7591\u4e91<\/td>Tom Stern<\/td>2008<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Curious Case of Benjamin Button<\/td>\u672c\u6770\u660e\u00b7\u5df4\u987f\u5947\u4e8b<\/td>Claudio Miranda<\/td>2008<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Dark Knight<\/td>\u8759\u8760\u4fa0\uff1a\u9ed1\u6697\u9a91\u58eb<\/td>Wally Pfister<\/td>2008<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Reader<\/td>\u6717\u8bfb\u8005<\/td>Roger Deakins and Chris Menges<\/td>2008<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
There Will be Blood<\/td>\u5fc3\u8840\u6765\u6f6e<\/td>Robert Elswit<\/td>2007<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
The Assassination of Jesse James<\/td>\u73cd\u73e0\u6e2f<\/td>Roger Deakins<\/td>2007<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Atonement<\/td>\u8d4e\u7f6a<\/td>Seamus McGarvey<\/td>2007<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Diving Bell and the Butterfly<\/td>\u6f5c\u6c34\u949f\u4e0e\u8774\u8776<\/td>Janusz Kami\u0144ski<\/td>2007<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
No Country for Old Men<\/td>\u8001\u65e0\u6240\u4f9d<\/td>Roger Deakins<\/td>2007<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Pan\u2019s Labyrinth<\/td>\u6f58\u795e\u7684\u8ff7\u5bab<\/td>Guillermo Navarro<\/td>2006<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
The Black Dahlia<\/td>\u9ed1\u8272\u591c\u9b54\u5973<\/td>Vilmos Zsigmond<\/td>2006<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Children of Men<\/td>\u4eba\u7c7b\u4e4b\u5b50<\/td>Emmanuel Lubezki<\/td>2006<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Illusionist<\/td>\u53d8\u9b54\u672f\u5e08<\/td>Dick Pope<\/td>2006<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Prestige<\/td>\u81f4\u547d\u9b54\u672f<\/td>Wally Pfister<\/td>2006<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Memoirs of a Geisha<\/td>\u827a\u4f0e\u56de\u5fc6\u5f55<\/td>Dion Beebe<\/td>2005<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Batman Begins<\/td>\u8759\u8760\u4fa0\uff1a\u4fa0\u5f71\u4e4b\u8c1c<\/td>Wally Pfister<\/td>2005<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Brokeback Mountain<\/td>\u65ad\u80cc\u5c71<\/td>Rodrigo Prieto<\/td>2005<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Good Night and Good Luck<\/td>\u665a\u5b89\uff0c\u597d\u8fd0<\/td>Robert Elswit<\/td>2005<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The New World<\/td>\u65b0\u4e16\u754c<\/td>Emmanuel Lubezki<\/td>2005<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Aviator<\/td>\u98de\u884c\u5bb6<\/td>Robert Richardson<\/td>2004<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
House of Flying Daggers<\/td>\u5341\u9762\u57cb\u4f0f<\/td>Zhao Xiaoding<\/td>2004<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Passion of the Christ<\/td>\u57fa\u7763\u53d7\u96be\u8bb0<\/td>Caleb Deschanel<\/td>2004<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Phantom of the Opera<\/td>\u6b4c\u5267\u9b45\u5f71<\/td>John Mathieson<\/td>2004<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
A Very Long Engagement<\/td>\u6f2b\u957f\u7684\u5a5a\u7ea6<\/td>Bruno Delbonnel<\/td>2004<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Master and Commander<\/td>\u9738\u738b\u522b\u59ec<\/td>Russell Boyd<\/td>2003<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
City of God<\/td>\u4e0a\u5e1d\u4e4b\u57ce<\/td>C\u00e9sar Charlone<\/td>2003<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Cold Mountain<\/td>\u5bd2\u51b7\u5c71\u8109<\/td>John Seale<\/td>2003<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Girl with a Pearl Earring<\/td>\u6234\u73cd\u73e0\u8033\u73af\u7684\u5c11\u5973<\/td>Eduardo Serra<\/td>2003<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Seabiscuit<\/td>\u7f8e\u56fd\u7530\u56ed\u98ce\u5149<\/td>John Schwartzman<\/td>2003<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Road to Perdition<\/td>\u7834\u788e\u4e4b\u8def<\/td>Conrad Hall (posthumously)<\/td>2002<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Chicago<\/td>\u9010\u68a6\u5973\u90ce<\/td>Dion Beebe<\/td>2002<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Far From Heaven<\/td>\u8fdc\u79bb\u5929\u5802<\/td>Edward Lachman<\/td>2002<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Gangs of New York<\/td>\u7ebd\u7ea6\u9ed1\u5e2e<\/td>Michael Ballhaus<\/td>2002<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Pianist<\/td>\u94a2\u7434\u5bb6<\/td>Pawe\u0142 Edelman<\/td>2002<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Lord of the Rings: The Fellowship of the Ring<\/td>\u9b54\u6212\u9996\u90e8\u66f2\uff1a\u62a4\u6212\u4f7f\u8005<\/td>Andrew Lesnie<\/td>2001<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Am\u00e9lie<\/td>\u5929\u4f7f\u7231\u7f8e\u4e3d<\/td>Bruno Delbonnel<\/td>2001<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Black Hawk Down<\/td>\u9ed1\u9e70\u5760\u843d<\/td>S\u0142awomir Idziak<\/td>2001<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Man Who Wasn\u2019t There<\/td>\u7f3a\u5e2d\u7684\u4eba<\/td>Roger Deakins<\/td>2001<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Moulin Rouge<\/td>\u7ea2\u78e8\u574a<\/td>Donald McAlpine<\/td>2001<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Crouching Tiger, Hidden Dragon<\/td>\u5367\u864e\u85cf\u9f99<\/td>Peter Pau<\/td>2000<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Gladiator<\/td>\u89d2\u6597\u58eb<\/td>John Mathieson<\/td>2000<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Mal\u00e8na<\/td>\u739b\u83b2\u5a1c<\/td>Lajos Koltai<\/td>2000<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
O Brother, Where Art Thou<\/td>\u9003\u72f1\u4e09\u738b<\/td>Roger Deakins<\/td>2000<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Patriot<\/td>\u7231\u56fd\u8005<\/td>Caleb Deschanel<\/td>2000<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
American Beauty<\/td>\u7f8e\u56fd\u4e3d\u4eba<\/td>Conrad L. Hall<\/td>1999<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
The End of the Affair<\/td>\u7231\u5230\u5c3d\u5934<\/td>Roger Pratt<\/td>1999<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Insider<\/td>\u60ca\u7206\u5185\u5e55<\/td>Dante Spinotti<\/td>1999<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Sleepy Hollow<\/td>\u65ad\u5934\u8c37<\/td>Emmanuel Lubezki<\/td>1999<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Snow Falling on Cedars<\/td>\u96ea\u843d\u5728\u96ea\u677e\u4e0a<\/td>Robert Richardson<\/td>1999<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Saving Private Ryan<\/td>\u62ef\u6551\u5927\u5175\u745e\u6069<\/td>Janusz Kami\u0144ski<\/td>1998<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
A Civil Action<\/td>\u6c11\u4e8b\u516c\u8bc9<\/td>Conrad L. Hall<\/td>1998<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Elizabeth<\/td>\u4f0a\u4e3d\u838e\u767d<\/td>Remi Adefarasin<\/td>1998<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Shakespeare in Love<\/td>\u838e\u58eb\u6bd4\u4e9a\u60c5\u53f2<\/td>Richard Greatrex<\/td>1998<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Thin Red Line<\/td>\u7ec6\u7ec6\u7684\u7ea2\u7ebf<\/td>John Toll<\/td>1998<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Titanic<\/td>\u6cf0\u5766\u5c3c\u514b\u53f7<\/td>Russell Carpenter<\/td>1997<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Amistad<\/td>\u5b89\u7c73\u65af\u5854\u5fb7\u53f7<\/td>Janusz Kami\u0144ski<\/td>1997<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Kundun<\/td>\u6606\u987f<\/td>Roger Deakins<\/td>1997<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
L.A. Confidential<\/td>L.A.\u673a\u5bc6\u6863\u6848<\/td>Dante Spinotti<\/td>1997<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Wings of the Dove<\/td>\u9e3d\u4e4b\u7ffc<\/td>Eduardo Serra<\/td>1997<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The English Patient<\/td>\u82f1\u56fd\u75c5\u4eba<\/td>John Seale<\/td>1996<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Evita<\/td>\u827e\u8587\u5854<\/td>Darius Khondji<\/td>1996<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Fargo<\/td>\u6cd5\u9ad8<\/td>Roger Deakins<\/td>1996<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Fly Away Home<\/td>\u8d70\u5411\u81ea\u7531<\/td>Caleb Deschanel<\/td>1996<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Michael Collins<\/td>\u8fc8\u514b\u5c14\u00b7\u67ef\u6797\u65af<\/td>Chris Menges<\/td>1996<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Braveheart<\/td>\u52c7\u6562\u7684\u5fc3<\/td>John Toll<\/td>1995<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Batman Forever<\/td>\u8759\u8760\u4fa0\u524d\u4f20<\/td>Stephen Goldblatt<\/td>1995<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
A Little Princess<\/td>\u5c0f\u516c\u4e3b<\/td>Emmanuel Lubezki<\/td>1995<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Sense and Sensibility<\/td>\u7406\u667a\u4e0e\u60c5\u611f<\/td>Michael Coulter<\/td>1995<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Shanghai Triad<\/td>\u6447\u6eda\u9752\u5e74<\/td>L\u00fc Yue<\/td>1995<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Legends of the Fall<\/td>\u843d\u65e5\u4f59\u6656<\/td>John Toll<\/td>1994<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Forrest Gump<\/td>\u963f\u7518\u6b63\u4f20<\/td>Don Burgess<\/td>1994<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Shawshank Redemption<\/td>\u8096\u7533\u514b\u7684\u6551\u8d4e<\/td>Roger Deakins<\/td>1994<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Three Colours: Red<\/td>\u84dd\u767d\u7ea2\u4e09\u90e8\u66f2\u4e4b\u7ea2<\/td>Piotr Soboci\u0144ski<\/td>1994<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Wyatt Earp<\/td>\u6000\u7279\u00b7\u5384\u666e<\/td>Owen Roizman<\/td>1994<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Schindler\u2019s List<\/td>\u8f9b\u5fb7\u52d2\u7684\u540d\u5355<\/td>Janusz Kami\u0144ski<\/td>1993<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Farewell My Concubine<\/td>\u9738\u738b\u522b\u59ec<\/td>Gu Changwei<\/td>1993<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Fugitive<\/td>\u9003\u72af<\/td>Michael Chapman<\/td>1993<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Piano<\/td>\u94a2\u7434\u5e08<\/td>Stuart Dryburgh<\/td>1993<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Searching for Bobby Fischer<\/td>\u5bfb\u627e\u9c8d\u6bd4\u00b7\u8d39\u820d\u5c14<\/td>Conrad L. Hall<\/td>1993<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
A River Runs Through It<\/td>\u5927\u6cb3\u604b<\/td>Philippe Rousselot<\/td>1992<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Hoffa<\/td>\u970d\u6cd5<\/td>Stephen H. Burum<\/td>1992<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Howards End<\/td>\u970d\u534e\u5fb7\u5e84\u56ed<\/td>Tony Pierce-Roberts<\/td>1992<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Lover<\/td>\u60c5\u4eba<\/td>Robert Fraisse<\/td>1992<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Unforgiven<\/td>\u65e0\u6cd5\u539f\u8c05<\/td>Jack N. Green<\/td>1992<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
JFK<\/td>\u80af\u5c3c\u8fea\u603b\u7edf\u9047\u523a\u6848<\/td>Robert Richardson<\/td>1991<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Bugsy<\/td>\u8c6a\u60c5\u56db\u6d77<\/td>Allen Daviau<\/td>1991<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Prince of Tides<\/td>\u6f6e\u6d6a\u738b\u5b50<\/td>Stephen Goldblatt<\/td>1991<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Terminator 2: Judgement Day<\/td>\u7ec8\u7ed3\u80052\uff1a\u5ba1\u5224\u65e5<\/td>Adam Greenberg<\/td>1991<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Thelma & Louise<\/td>\u672b\u8def\u72c2\u82b1<\/td>Adrian Biddle<\/td>1991<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Dances with Wolves<\/td>\u4e0e\u72fc\u5171\u821e<\/td>Dean Semler<\/td>1990<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Avalon<\/td>\u963f\u74e6\u9686<\/td>Allen Daviau<\/td>1990<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Dick Tracy<\/td>\u8fea\u514b\u00b7\u7279\u96f7\u897f<\/td>Vittorio Storaro<\/td>1990<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Godfather: Part III<\/td>\u6559\u72363<\/td>Gordon Willis<\/td>1990<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Henry & June<\/td>\u4ea8\u5229\u4e0e\u6731\u6069<\/td>Philippe Rousselot<\/td>1990<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Glory<\/td>\u8363\u8000<\/td>Freddie Francis<\/td>1989<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
The Abyss<\/td>\u6df1\u6e0a<\/td>Mikael Salomon<\/td>1989<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Blaze<\/td>\u706b\u7130<\/td>Haskell Wexler<\/td>1989<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Born on the Fourth of July<\/td>\u7b2c\u56db\u6d32\u51fa\u751f<\/td>Robert Richardson<\/td>1989<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Fabulous Baker Boys<\/td>\u4e00\u66f2\u76f8\u601d\u60c5\u672a\u4e86<\/td>Michael Ballhaus<\/td>1989<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Mississippi Burning<\/td>\u5bc6\u897f\u897f\u6bd4\u71c3\u70e7\u7684\u9ece\u660e<\/td>Peter Biziou<\/td>1988<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Rain Man<\/td>\u96e8\u4eba<\/td>John Seale<\/td>1988<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Tequila Sunrise<\/td>\u58a8\u897f\u54e5\u65e5\u51fa<\/td>Conrad Hall<\/td>1988<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Unbearable Lightness of Being<\/td>\u751f\u547d\u7684\u4e0d\u53ef\u627f\u53d7\u4e4b\u8f7b<\/td>Sven Nykvist<\/td>1988<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Who Framed Roger Rabbit<\/td>\u975e\u5e38\u7591\u72af<\/td>Dean Cundey<\/td>1988<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Last Emperor<\/td>\u672b\u4ee3\u7687\u5e1d<\/td>Vittorio Storaro<\/td>1987<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Broadcast News<\/td>\u5e7f\u64ad\u65b0\u95fb<\/td>Michael Ballhaus<\/td>1987<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Empire of the Sun<\/td>\u9633\u5149\u5e1d\u56fd<\/td>Allen Daviau<\/td>1987<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Hope and Glory<\/td>\u5e0c\u671b\u548c\u8363\u8000<\/td>Philippe Rousselot<\/td>1987<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Matewan<\/td>\u6885\u7279\u4e07<\/td>Haskell Wexler<\/td>1987<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Mission<\/td>\u5ba3\u6559\u7684\u4f7f\u547d<\/td>Chris Menges<\/td>1986<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Peggy Sue Got Married<\/td>\u4f69\u5409\u82cf\u7684\u5a5a\u793c<\/td>Jordan Cronenweth<\/td>1986<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Platoon<\/td>\u65b0\u5175\u5c0f\u5b50<\/td>Robert Richardson<\/td>1986<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
A Room with a View<\/td>\u89c2\u666f\u623f<\/td>Tony Pierce-Roberts<\/td>1986<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Star Trek IV: The Voyage Home<\/td>\u661f\u9645\u8ff7\u822a4\uff1a\u8fd4\u4e61<\/td>Don Peterman<\/td>1986<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Out Of Africa<\/td>\u8d70\u51fa\u975e\u6d32<\/td>David Watkin<\/td>1985<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
The Color Purple<\/td>\u7d2b\u8272<\/td>Allen Daviau<\/td>1985<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Murphy’s Romance<\/td>\u7231\u60c5\u4e0e\u6d6a\u6f2b<\/td>William A. Fraker<\/td>1985<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Ran<\/td>\u4e71<\/td>Takao Saito, Masaharu Ueda, and Asakazu Nakai<\/td>1985<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Witness<\/td>\u76ee\u51fb\u8005<\/td>John Seale<\/td>1985<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Killing Fields<\/td>\u6bba\u622e\u7684\u9ec3\u7530<\/td>Chris Menges<\/td>1984<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Amadeus<\/td>\u4e9a\u9a6c\u900a\u7684\u795e<\/td>Miroslav Ond\u0159\u00ed\u010dek<\/td>1984<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Natural<\/td>\u5929\u751f\u7684\u7403\u661f<\/td>Caleb Deschanel<\/td>1984<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
A Passage to India<\/td>\u5370\u5ea6\u4e4b\u8def<\/td>Ernest Day<\/td>1984<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The River<\/td>\u6cb3\u6d41<\/td>Vilmos Zsigmond<\/td>1984<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Fanny and Alexander<\/td>\u6cd5\u5c3c\u548c\u4e9a\u5386\u5c71\u5927<\/td>Sven Nykvist<\/td>1983<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Flashdance<\/td>\u70ed\u821e\u60c5\u4eba<\/td>Don Peterman<\/td>1983<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Right Stuff<\/td>\u6b63\u786e\u7684\u4e1c\u897f<\/td>Caleb Deschanel<\/td>1983<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
War Games<\/td>\u6218\u4e89\u6e38\u620f<\/td>William A. Fraker<\/td>1983<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Zelig<\/td>\u5bfc\u6f14\u5927\u5e08<\/td>Gordon Willis<\/td>1983<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Gandhi<\/td>\u7518\u5730<\/td>Billy Williams and Ronnie Taylor<\/td>1982<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Das Boot<\/td>\u6f5c\u8247<\/td>Jost Vacano<\/td>1982<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
E.T. the Extra-Terrestrial<\/td>\u5916\u661f\u4eba<\/td>Allen Daviau<\/td>1982<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Sophie’s Choice<\/td>\u82cf\u83f2\u7684\u6289\u62e9<\/td>N\u00e9stor Almendros<\/td>1982<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Tootsie<\/td>\u6cf0\u5c3c<\/td>Owen Roizman<\/td>1982<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Reds<\/td>\u7ea2\u8272\u4e4b\u5fc3<\/td>Vittorio Storaro<\/td>1981<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Excalibur<\/td>\u5251\u795e<\/td>Alex Thomson<\/td>1981<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
On Golden Pond<\/td>\u9ec4\u91d1\u6c60\u5858<\/td>Billy Williams<\/td>1981<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Ragtime<\/td>\u6d41\u884c\u97f3\u4e50<\/td>Miroslav Ond\u0159\u00ed\u010dek<\/td>1981<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Raiders of the Lost Ark<\/td>\u593a\u5b9d\u5947\u5175<\/td>Douglas Slocombe<\/td>1981<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Tess<\/td>\u6cf0\u65af<\/td>Geoffrey Unsworth (posthumously) and Ghislain Cloquet<\/td>1980<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
The Blue Lagoon<\/td>\u84dd\u8272\u73ca\u745a\u7901<\/td>N\u00e9stor Almendros<\/td>1980<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Coal Miner’s Daughter<\/td>\u77ff\u5de5\u4e4b\u5973<\/td>Ralf D. Bode<\/td>1980<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Formula<\/td>\u5927\u8ffd\u6355<\/td>James Crabe<\/td>1980<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Raging Bull<\/td>\u6124\u6012\u7684\u516c\u725b<\/td>Michael Chapman<\/td>1980<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Apocalypse Now<\/td>\u73b0\u4ee3\u542f\u793a\u5f55<\/td>Vittorio Storaro<\/td>1979<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
1941<\/td>1941\u5e74<\/td>William A. Fraker<\/td>1979<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
All That Jazz<\/td>\u79c0\u573a\u624d\u5b50<\/td>Giuseppe Rotunno<\/td>1979<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Black Hole<\/td>\u9ed1\u6d1e<\/td>Frank V. Phillips<\/td>1979<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Kramer vs. Kramer<\/td>\u514b\u83b1\u9ed8\u5bf9\u514b\u83b1\u9ed8<\/td>N\u00e9stor Almendros<\/td>1979<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Days of Heaven<\/td>\u5929\u56fd\u4e4b\u65e5<\/td>N\u00e9stor Almendros<\/td>1978<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
The Deer Hunter<\/td>\u730e\u9e7f\u4eba<\/td>Vilmos Zsigmond<\/td>1978<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Heaven Can Wait<\/td>\u5929\u5802\u53ef\u4ee5\u7b49\u5f85<\/td>William A. Fraker<\/td>1978<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Same Time, Next Year<\/td>\u660e\u5e74\u6b64\u65f6<\/td>Robert Surtees<\/td>1978<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Wiz<\/td>\u9b54\u5e7b\u5deb\u5e08<\/td>Oswald Morris<\/td>1978<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Close Encounters of the Third Kind<\/td>\u7b2c\u4e09\u7ef4\u5ea6\u7684\u63a5\u89e6<\/td>Vilmos Zsigmond<\/td>1977<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Islands in the Stream<\/td>\u6d77\u9501\u91d1\u5c71<\/td>Fred J. Koenekamp<\/td>1977<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Julia<\/td>\u8331\u8389\u4e9a<\/td>Douglas Slocombe<\/td>1977<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Looking for Mr. Goodbar<\/td>\u5bfb\u627e\u597d\u5427\u53f0\u5148\u751f<\/td>William A. Fraker<\/td>1977<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Turning Point<\/td>\u8f6c\u6298\u70b9<\/td>Robert Surtees<\/td>1977<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Bound for Glory<\/td>\u5411\u7740\u8363\u8000\u524d\u884c<\/td>Haskell Wexler<\/td>1976<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
King Kong<\/td>\u91d1\u521a<\/td>Richard H. Kline<\/td>1976<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Logan’s Run<\/td>\u5929\u7f51\u6740\u673a<\/td>Ernest Laszlo<\/td>1976<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Network<\/td>\u53d8\u76f8\u602a\u6770<\/td>Owen Roizman<\/td>1976<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
A Star Is Born<\/td>\u4e00\u9897\u660e\u661f\u95ea\u8000<\/td>Robert Surtees<\/td>1976<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Barry Lyndon<\/td>\u5df4\u91cc\u2022\u6797\u767b<\/td>John Alcott<\/td>1975<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
The Day of the Locust<\/td>\u8757\u866b\u7684\u65e5\u5b50<\/td>Conrad Hall<\/td>1975<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Funny Lady<\/td>\u6ed1\u7a3d\u7684\u5973\u58eb<\/td>James Wong Howe<\/td>1975<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Hindenburg<\/td>\u91d1\u5fb7\u5821\u53f7<\/td>Robert Surtees<\/td>1975<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
One Flew Over the Cuckoo’s Nest<\/td>\u98de\u8d8a\u75af\u4eba\u9662<\/td>Haskell Wexler and Bill Butler<\/td>1975<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Towering Inferno<\/td>\u6469\u5929\u706b\u707e<\/td>Fred J. Koenekamp and Joseph Biroc<\/td>1974<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Chinatown<\/td>\u5510\u4eba\u8857<\/td>John A. Alonzo<\/td>1974<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Earthquake<\/td>\u5730\u9707<\/td>Philip H. Lathrop<\/td>1974<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Lenny<\/td>\u83b1\u5c3c<\/td>Bruce Surtees<\/td>1974<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Murder on the Orient Express<\/td>\u4e1c\u65b9\u5feb\u8f66\u8c0b\u6740\u6848<\/td>Geoffrey Unsworth<\/td>1974<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Cries and Whispers<\/td>\u54ed\u6ce3\u4e0e\u4f4e\u8bed<\/td>Sven Nykvist<\/td>1973<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
The Exorcist<\/td>\u9a71\u9b54\u4eba<\/td>Owen Roizman<\/td>1973<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Jonathan Livingston Seagull<\/td>\u4e54\u7eb3\u68ee\u00b7\u5229\u6587\u65af\u987f\u6d77\u9e25<\/td>Jack Couffer<\/td>1973<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Sting<\/td>\u523a\u9488<\/td>Robert Surtees<\/td>1973<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Way We Were<\/td>\u5f80\u65e5\u60c5\u6000<\/td>Harry Stradling Jr.<\/td>1973<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Cabaret<\/td>\u6b4c\u821e\u8868\u6f14<\/td>Geoffrey Unsworth<\/td>1972<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
1776<\/td>1776\u5e74<\/td>Harry Stradling Jr.<\/td>1972<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Butterflies Are Free<\/td>\u8774\u8776\u81ea\u7531\u4e86<\/td>Charles Lang<\/td>1972<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Poseidon Adventure<\/td>\u6ce2\u585e\u51ac\u53f7\u5927\u5192\u9669<\/td>Harold E. Stine<\/td>1972<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Travels with My Aunt<\/td>\u4e0e\u59d1\u59d1\u7684\u65c5\u884c<\/td>Douglas Slocombe<\/td>1972<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Fiddler on the Roof<\/td>\u5c4b\u9876\u4e0a\u7684\u5c0f\u63d0\u7434\u624b<\/td>Oswald Morris<\/td>1971<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
The French Connection<\/td>\u6cd5\u56fd\u8d29\u6bd2\u7f51\u7edc<\/td>Owen Roizman<\/td>1971<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Last Picture Show<\/td>\u6700\u540e\u4e00\u6b21\u653e\u6620<\/td>Robert Surtees<\/td>1971<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Nicholas and Alexandra<\/td>\u5c3c\u53e4\u62c9\u65af\u548c\u4e9a\u5386\u5c71\u5fb7\u62c9<\/td>Freddie Young<\/td>1971<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Summer of ’42<\/td>42\u5e74\u590f\u5929<\/td>Robert Surtees<\/td>1971<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Ryan’s Daughter<\/td>\u745e\u6069\u7684\u5973\u513f<\/td>Freddie Young<\/td>1970<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Airport<\/td>\u673a\u573a<\/td>Ernest Laszlo<\/td>1970<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Patton<\/td>\u5e15\u987f<\/td>Fred J. Koenekamp<\/td>1970<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Tora! Tora! Tora!<\/td>\u864e\uff01\u864e\uff01\u864e\uff01<\/td>Osami Furuya, Sinsaku Himeda, Masamichi Satoh and Charles F. Wheeler<\/td>1970<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Women in Love<\/td>\u604b\u7231\u4e2d\u7684\u5973\u4eba<\/td>Billy Williams<\/td>1970<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Butch Cassidy and the Sundance Kid<\/td>\u8dd1\u8f66\u5144\u5f1f<\/td>Conrad Hall<\/td>1969<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Anne of the Thousand Days<\/td>\u5343\u65e5\u5b89\u59ae<\/td>Arthur Ibbetson<\/td>1969<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Bob & Carol & Ted & Alice<\/td>\u9c8d\u52c3\u548c\u5361\u7f57\u5c14\u548c\u7279\u5fb7\u548c\u827e\u4e3d\u65af<\/td>Charles Lang<\/td>1969<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Hello, Dolly!<\/td>\u4f60\u597d,\u591a\u8389!<\/td>Harry Stradling (posthumously)<\/td>1969<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Marooned<\/td>\u88ab\u56f0<\/td>Daniel L. Fapp<\/td>1969<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Romeo and Juliet<\/td>\u7f57\u5bc6\u6b27\u4e0e\u6731\u4e3d\u53f6<\/td>Pasqualino De Santis<\/td>1968<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Funny Girl<\/td>\u6ed1\u7a3d\u5973\u5b69<\/td>Harry Stradling<\/td>1968<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Ice Station Zebra<\/td>\u5927\u5317\u6781<\/td>Daniel L. Fapp<\/td>1968<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Oliver!<\/td>\u5965\u5229\u5f17!<\/td>Oswald Morris<\/td>1968<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Star!<\/td>\u660e\u661f!<\/td>Ernest Laszlo<\/td>1968<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Bonnie and Clyde<\/td>\u90a6\u59ae\u548c\u514b\u83b1\u5fb7<\/td>Burnett Guffey<\/td>1967<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Camelot<\/td>\u9a91\u58eb\u56fd\u5ea6<\/td>Richard H. Kline<\/td>1967<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Doctor Dolittle<\/td>\u52a8\u7269\u533b\u751f<\/td>Robert Surtees<\/td>1967<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Graduate<\/td>\u6bd5\u4e1a\u751f<\/td>Robert Surtees<\/td>1967<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
In Cold Blood<\/td>\u51b7\u8840\u6740\u4eba\u4e8b\u4ef6<\/td>Conrad Hall<\/td>1967<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Who’s Afraid of Virginia Woolf?<\/td>\u8c01\u5bb3\u6015\u5f17\u5409\u5c3c\u4e9a\u4f0d\u5c14\u592b?<\/td>Haskell Wexler<\/td>1966<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Fortune Cookie<\/td>\u5e78\u8fd0\u66f2\u5947<\/td>Joseph LaShelle<\/td>1966<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Georgy Girl<\/td>\u4e54\u742a\u5973\u5b69<\/td>Kenneth Higgins<\/td>1966<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Is Paris Burning?<\/td>\u5df4\u9ece\u5728\u71c3\u70e7\u5417\uff1f<\/td>Marcel Grignon<\/td>1966<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Seconds<\/td>\u7b2c\u4e8c\u6b21\u673a\u4f1a<\/td>James Wong Howe<\/td>1966<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
A Man for All Seasons<\/td>\u65e5\u6708\u7cbe\u5fe0<\/td>Ted Moore<\/td>1966<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Fantastic Voyage<\/td>\u5947\u5e7b\u822a\u884c<\/td>Ernest Laszlo<\/td>1966<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Hawaii<\/td>\u590f\u5a01\u5937<\/td>Russell Harlan<\/td>1966<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Professionals<\/td>\u804c\u4e1a\u5927\u8d3c<\/td>Conrad Hall<\/td>1966<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Sand Pebbles<\/td>\u6c99\u783e\u9b54\u672f\u5e08<\/td>Joseph MacDonald<\/td>1966<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Ship of Fools<\/td>\u50bb\u74dc\u4e4b\u8239<\/td>Ernest Laszlo<\/td>1965<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
In Harm’s Way<\/td>\u5904\u4e8e\u5371\u9669\u4e4b\u4e2d<\/td>Loyal Griggs<\/td>1965<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
King Rat<\/td>\u9f20\u738b<\/td>Burnett Guffey<\/td>1965<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Morituri<\/td>\u4e2d\u6761\u5c71<\/td>Conrad Hall<\/td>1965<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
A Patch of Blue<\/td>\u4e00\u5757\u84dd\u8272\u7684\u5c0f\u7247\u5730<\/td>Robert Burks<\/td>1965<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Doctor Zhivago<\/td>\u65e5\u74e6\u6208\u533b\u751f<\/td>Freddie Young<\/td>1965<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Agony and the Ecstasy<\/td>\u82e6\u96be\u4e0e\u72c2\u559c<\/td>Leon Shamroy<\/td>1965<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Great Race<\/td>\u4f1f\u5927\u7684\u7ade\u8d5b<\/td>Russell Harlan<\/td>1965<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Greatest Story Ever Told<\/td>\u4e07\u4e16\u6d41\u82b3<\/td>William C. Mellor and Loyal Griggs<\/td>1965<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Sound of Music<\/td>\u97f3\u4e50\u4e4b\u58f0<\/td>Ted D. McCord<\/td>1965<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Zorba the Greek<\/td>\u5e0c\u814a\u7684\u4f50\u5c14\u5df4<\/td>Walter Lassally<\/td>1964<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Americanization of Emily<\/td>\u7231\u739b\u8389\u7684\u7f8e\u56fd\u5316<\/td>Philip H. Lathrop<\/td>1964<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Fate Is the Hunter<\/td>\u547d\u8fd0\u5c31\u662f\u730e\u4eba<\/td>Milton Krasner<\/td>1964<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Hush…Hush, Sweet Charlotte<\/td>\u6700\u6bd2\u5987\u4eba\u5fc3<\/td>Joseph Biroc<\/td>1964<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Night of the Iguana<\/td>\u9b23\u8725\u7684\u591c\u665a<\/td>Gabriel Figueroa<\/td>1964<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
My Fair Lady<\/td>\u6211\u7684\u8d35\u5987\u4eba<\/td>Harry Stradling<\/td>1964<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Becket<\/td>\u8d1d\u514b\u7279<\/td>Geoffrey Unsworth<\/td>1964<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Cheyenne Autumn<\/td>\u4ea7\u81ea\u96ea\u5c71\u9547<\/td>William H. Clothier<\/td>1964<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Mary Poppins<\/td>\u739b\u4e3d\u00b7\u6ce2\u666e\u65af<\/td>Edward Colman<\/td>1964<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Unsinkable Molly Brown<\/td>\u4e0d\u53ef\u6c89\u6ca1\u7684\u83ab\u8389\u00b7\u5e03\u6717<\/td>Daniel L. Fapp<\/td>1964<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Hud<\/td>\u54c8\u5fb7<\/td>James Wong Howe<\/td>1963<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Balcony<\/td>\u9732\u53f0<\/td>George J. Folsey<\/td>1963<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Caretakers<\/td>\u7167\u987e\u8005<\/td>Lucien Ballard<\/td>1963<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Lilies of the Field<\/td>\u7530\u91ce\u91cc\u7684\u767e\u5408\u82b1<\/td>Ernest Haller<\/td>1963<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Love with the Proper Stranger<\/td>\u964c\u751f\u4eba\u4e4b\u604b<\/td>Milton Krasner<\/td>1963<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Cleopatra<\/td>\u514b\u8389\u5965\u4f69\u7279\u62c9<\/td>Leon Shamroy<\/td>1963<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Cardinal<\/td>\u7ea2\u8863\u4e3b\u6559<\/td>Leon Shamroy<\/td>1963<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
How the West Was Won<\/td>\u897f\u90e8\u5927\u5192\u9669<\/td>William Daniels, Milton Krasner, Charles Lang and Joseph LaShelle<\/td>1963<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Irma la Douce<\/td>\u7231\u739b\u4e4b\u5973<\/td>Joseph LaShelle<\/td>1963<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
It’s a Mad, Mad, Mad, Mad World<\/td>\u766b\u72c2\u3001\u766b\u72c2\u3001\u766b\u72c2\u7684\u4e16\u754c<\/td>Ernest Laszlo<\/td>1963<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Longest Day<\/td>\u6700\u957f\u7684\u4e00\u5929<\/td>Jean Bourgoin and Walter Wottitz<\/td>1962<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Birdman of Alcatraz<\/td>\u963f\u5c14\u5361\u7279\u62c9\u5179\u7684\u9e1f\u4eba<\/td>Burnett Guffey<\/td>1962<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
To Kill a Mockingbird<\/td>\u6740\u6b7b\u4e00\u53ea\u77e5\u66f4\u9e1f<\/td>Russell Harlan<\/td>1962<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Two for the Seesaw<\/td>\u6447\u6446\u7684\u4e24\u4e2a\u4eba<\/td>Ted D. McCord<\/td>1962<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
What Ever Happened to Baby Jane?<\/td>\u73cd\u59ae\u5c0f\u59d0\u5230\u5e95\u53d1\u751f\u4e86\u4ec0\u4e48\uff1f<\/td>Ernest Haller<\/td>1962<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Lawrence of Arabia<\/td>\u963f\u62c9\u4f2f\u7684\u52b3\u4f26\u65af<\/td>Freddie Young<\/td>1962<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Gypsy<\/td>\u6b4c\u5973<\/td>Harry Stradling<\/td>1962<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Hatari!<\/td>\u54c8\u5854\u91cc\uff01<\/td>Russell Harlan<\/td>1962<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Mutiny on the Bounty<\/td>\u8d4f\u91d1\u8239\u7684\u53db\u53d8<\/td>Robert Surtees<\/td>1962<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Wonderful World of the Brothers Grimm<\/td>\u683c\u6797\u5144\u5f1f\u7684\u5947\u5999\u4e16\u754c<\/td>Paul C. Vogel<\/td>1962<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Hustler<\/td>\u64ac\u8df3\u8005<\/td>Eugen Sch\u00fcfftan<\/td>1961<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Absent-Minded Professor<\/td>MindedProfessor<\/td>Edward Colman<\/td>1961<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Children’s Hour<\/td>\u5b69\u5b50\u4eec\u7684\u949f\u70b9<\/td>Franz Planer<\/td>1961<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Judgment at Nuremberg<\/td>\u5728\u7ebd\u4f26\u5821\u7684\u5ba1\u5224<\/td>Ernest Laszlo<\/td>1961<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
One, Two, Three<\/td>\u4e00\u3001\u4e8c\u3001\u4e09<\/td>Daniel L. Fapp<\/td>1961<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
West Side Story<\/td>\u897f\u533a\u6545\u4e8b<\/td>Daniel L. Fapp<\/td>1961<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Fanny<\/td>\u6cd5\u59ae<\/td>Jack Cardiff<\/td>1961<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Flower Drum Song<\/td>\u82b1\u9f13\u6b4c<\/td>Russell Metty<\/td>1961<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
A Majority of One<\/td>\u4ee5\u4e00\u6295\u591a<\/td>Harry Stradling<\/td>1961<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
One-Eyed Jacks<\/td>EyedJacks<\/td>Charles Lang<\/td>1961<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Sons and Lovers<\/td>\u513f\u5b50\u4e0e\u60c5\u4eba<\/td>Freddie Francis<\/td>1960<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Apartment<\/td>\u516c\u5bd3<\/td>Joseph LaShelle<\/td>1960<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Facts of Life<\/td>\u751f\u6d3b\u7684\u4e8b\u5b9e<\/td>Charles Lang<\/td>1960<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Inherit the Wind<\/td>\u98ce\u4e2d\u7684\u9057\u4ea7<\/td>Ernest Laszlo<\/td>1960<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Psycho<\/td>\u7cbe\u795e\u75c5\u60a3\u8005<\/td>John L. Russell<\/td>1960<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Spartacus<\/td>\u65af\u5df4\u8fbe\u514b\u65af<\/td>Russell Metty<\/td>1960<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Alamo<\/td>\u963f\u62c9\u83ab<\/td>William H. Clothier<\/td>1960<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
BUtterfield 8<\/td>8\u53f7\u5df4\u7279\u83f2\u5c14\u5fb7\u5973\u58eb<\/td>Joseph Ruttenberg and Charles Harten<\/td>1960<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Exodus<\/td>\u51fa\u57c3\u53ca\u8bb0<\/td>Sam Leavitt<\/td>1960<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Pepe<\/td>\u4f69\u4f69<\/td>Joseph MacDonald<\/td>1960<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Diary of Anne Frank<\/td>\u5b89\u59ae\u00b7\u5f17\u5170\u514b\u7684\u65e5\u8bb0<\/td>William C. Mellor<\/td>1959<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Anatomy of a Murder<\/td>\u8c0b\u6740\u5256\u6790<\/td>Sam Leavitt<\/td>1959<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Career<\/td>\u804c\u4e1a\u751f\u6daf<\/td>Joseph LaShelle<\/td>1959<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Some Like It Hot<\/td>\u70ed\u60c5\u5982\u521d<\/td>Charles Lang<\/td>1959<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Young Philadelphians<\/td>\u597d\u83b1\u575e\u4e4b\u58f0<\/td>Harry Stradling<\/td>1959<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Ben Hur<\/td>\u8d1d\u5c14\u00b7\u8d6b\u65af<\/td>Robert Surtees<\/td>1959<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Big Fisherman<\/td>\u5927\u6e14\u592b<\/td>Lee Garmes<\/td>1959<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Five Pennies<\/td>\u4e00\u89d2\u4e94\u5206\u94b1<\/td>Daniel L. Fapp<\/td>1959<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Nun’s Story<\/td>\u4fee\u5973\u7684\u6545\u4e8b<\/td>Franz Planer<\/td>1959<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Porgy and Bess<\/td>\u6ce2\u5409\u4e0e\u8d1d\u4e1d<\/td>Leon Shamroy<\/td>1959<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Defiant Ones<\/td>\u62d2\u4e0d\u8ba4\u8f93\u7684\u4eba<\/td>Sam Leavitt<\/td>1958<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Desire Under the Elms<\/td>\u6986\u6811\u4e0b\u7684\u60c5\u612b<\/td>Daniel L. Fapp<\/td>1958<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
I Want to Live!<\/td>\u6211\u60f3\u6d3b\u4e0b\u53bb\uff01<\/td>Lionel Lindon<\/td>1958<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Separate Tables<\/td>\u5206\u5f00\u7684\u684c\u5b50<\/td>Charles Lang<\/td>1958<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Young Lions<\/td>\u5e74\u8f7b\u7684\u72ee\u5b50\u4eec<\/td>Joseph MacDonald<\/td>1958<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Gigi<\/td>\u5409\u5409<\/td>Joseph Ruttenberg<\/td>1958<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Auntie Mame<\/td>\u739b\u59c6\u59e8<\/td>Harry Stradling<\/td>1958<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Cat on a Hot Tin Roof<\/td>\u70ed\u94c1\u76ae\u5c4b\u9876\u4e0a\u7684\u732b<\/td>William Daniels<\/td>1958<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Old Man and the Sea<\/td>\u8001\u4eba\u4e0e\u6d77<\/td>James Wong Howe<\/td>1958<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
South Pacific<\/td>\u5357\u592a\u5e73\u6d0b<\/td>Leon Shamroy<\/td>1958<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Bridge on the River Kwai<\/td>\u6865\u4e0a\u7684\u6c5f\u6e56<\/td>Jack Hildyard<\/td>1957<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
An Affair to Remember<\/td>\u4e00\u6bb5\u96be\u4ee5\u5fd8\u8bb0\u7684\u60c5\u7f18<\/td>Milton Krasner<\/td>1957<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Funny Face<\/td>\u6ed1\u7a3d\u5973\u90ce<\/td>Ray June<\/td>1957<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Peyton Place<\/td>\u4f69\u987f\u5730\u533a<\/td>William C. Mellor<\/td>1957<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Sayonara<\/td>\u518d\u89c1<\/td>Ellsworth Fredericks<\/td>1957<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Somebody Up There Likes Me<\/td>\u4e0a\u5929\u7f18\u4f55\u559c\u6b22\u6211<\/td>Joseph Ruttenberg<\/td>1956<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Baby Doll<\/td>\u5a03\u5a03<\/td>Boris Kaufman<\/td>1956<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Bad Seed<\/td>\u574f\u79cd\u5b50<\/td>Harold Rosson<\/td>1956<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Harder They Fall<\/td>\u8dcc\u5f97\u8d8a\u72e0<\/td>Burnett Guffey<\/td>1956<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Stagecoach to Fury<\/td>\u6124\u6012\u9a6c\u8f66<\/td>Walter Strenge<\/td>1956<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Around the World in 80 Days<\/td>\u5168\u7403\u6e38\u8bb080\u5929<\/td>Lionel Lindon<\/td>1956<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Eddy Duchin Story<\/td>\u57c3\u8fea\u00b7\u675c\u94a6\u7684\u6545\u4e8b<\/td>Harry Stradling<\/td>1956<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The King and I<\/td>\u56fd\u738b\u4e0e\u6211<\/td>Leon Shamroy<\/td>1956<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Ten Commandments<\/td>\u5341\u8beb<\/td>Loyal Griggs<\/td>1956<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
War and Peace<\/td>\u6218\u4e89\u4e0e\u548c\u5e73<\/td>Jack Cardiff<\/td>1956<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Rose Tattoo<\/td>\u73ab\u7470\u523a\u9752<\/td>James Wong Howe<\/td>1955<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Blackboard Jungle<\/td>\u9ed1\u677f\u4e1b\u6797<\/td>Russell Harlan<\/td>1955<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
I’ll Cry Tomorrow<\/td>\u660e\u5929\u6211\u4f1a\u54ed\u6ce3<\/td>Arthur Arling<\/td>1955<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Marty<\/td>\u739b\u8482<\/td>Joseph LaShelle<\/td>1955<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Queen Bee<\/td>\u5973\u738b\u8702<\/td>Charles Lang<\/td>1955<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
To Catch a Thief<\/td>\u6293\u4f4f\u7a83\u8d3c<\/td>Robert Burks<\/td>1955<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Guys and Dolls<\/td>\u6273\u7740\u624b\u6307\u6570\u4eba\u5934<\/td>Harry Stradling<\/td>1955<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Love Is a Many-Splendored Thing<\/td>SplendoredThing<\/td>Leon Shamroy<\/td>1955<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
A Man Called Peter<\/td>\u4e00\u4e2a\u540d\u53eb\u5f7c\u5f97\u7684\u4eba<\/td>Harold Lipstein<\/td>1955<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Oklahoma!<\/td>\u4fc4\u514b\u62c9\u8377\u9a6c<\/td>Robert Surtees<\/td>1955<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
On the Waterfront<\/td>\u7801\u5934\u98ce\u4e91<\/td>Boris Kaufman<\/td>1954<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Country Girl<\/td>\u4e61\u6751\u5973\u5b69<\/td>John F. Warren<\/td>1954<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Executive Suite<\/td>\u7eb5\u6a2a\u5929\u4e0b<\/td>George J. Folsey<\/td>1954<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Rogue Cop<\/td>\u80cc\u4fe1\u5f03\u4e49\u7684\u8b66\u5bdf<\/td>John F. Seitz<\/td>1954<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Sabrina<\/td>\u8428\u5e03\u4e3d\u5a1c<\/td>Charles Lang<\/td>1954<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Three Coins in the Fountain<\/td>\u7f57\u9a6c\u4e4b\u604b<\/td>Milton Krasner<\/td>1954<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Egyptian<\/td>\u57c3\u53ca\u4eba<\/td>Leon Shamroy<\/td>1954<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Rear Window<\/td>\u540e\u7a97<\/td>Robert Burks<\/td>1954<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Seven Brides for Seven Brothers<\/td>\u4e03\u4e2a\u5144\u5f1f\u7684\u4e03\u4e2a\u65b0\u5a18<\/td>George J. Folsey<\/td>1954<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Silver Chalice<\/td>\u9576\u94f6\u5723\u676f<\/td>William V. Skall<\/td>1954<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
From Here to Eternity<\/td>\u4ece\u6b64\u5230\u6c38\u8fdc<\/td>Burnett Guffey<\/td>1953<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Four Poster<\/td>\u4eba\u751f\u66f2<\/td>Hal Mohr<\/td>1953<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Julius Caesar<\/td>\u51ef\u6492\u5927\u5e1d<\/td>Joseph Ruttenberg<\/td>1953<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Martin Luther<\/td>\u9a6c\u4e01\u00b7\u8def\u5fb7<\/td>Joseph C. Brun<\/td>1953<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Roman Holiday<\/td>\u7f57\u9a6c\u5047\u65e5<\/td>Franz Planer and Henri Alekan<\/td>1953<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Shane<\/td>\u96ea\u6069<\/td>Loyal Griggs<\/td>1953<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
All the Brothers Were Valiant<\/td>\u56db\u6d77\u82f1\u96c4\u4f20<\/td>George J. Folsey<\/td>1953<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Beneath the 12-Mile Reef<\/td>MileReef<\/td>Edward Cronjager<\/td>1953<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Lili<\/td>\u8389\u8389<\/td>Robert H. Planck<\/td>1953<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Robe<\/td>\u6ce2\u65c1\u738b\u671d<\/td>Leon Shamroy<\/td>1953<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Bad and the Beautiful<\/td>\u574f\u4e0e\u7f8e<\/td>Robert Surtees<\/td>1952<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Big Sky<\/td>\u5cf0\u706b\u5f25\u5929<\/td>Russell Harlan<\/td>1952<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
My Cousin Rachel<\/td>\u6211\u7684\u8868\u59b9\u745e\u79cb<\/td>Joseph LaShelle<\/td>1952<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Navajo<\/td>\u7eb3\u74e6\u54c8<\/td>Virgil Miller<\/td>1952<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Sudden Fear<\/td>\u9aa4\u7136\u6050\u614c<\/td>Charles Lang<\/td>1952<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Quiet Man<\/td>\u5b89\u9759\u7684\u4eba<\/td>Winton C. Hoch and Archie Stout<\/td>1952<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Hans Christian Andersen<\/td>\u5b89\u5f92\u751f<\/td>Harry Stradling<\/td>1952<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Ivanhoe<\/td>\u827e\u51e1\u8c6a<\/td>Freddie Young<\/td>1952<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Million Dollar Mermaid<\/td>\u767e\u4e07\u7f8e\u4eba\u9c7c<\/td>George J. Folsey<\/td>1952<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Snows of Kilimanjaro<\/td>\u57fa\u5229\u9a6c\u672d\u7f57\u7684\u96ea<\/td>Leon Shamroy<\/td>1952<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
A Place in the Sun<\/td>\u65e5\u843d\u5927\u9053<\/td>William C. Mellor<\/td>1951<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Death of a Salesman<\/td>\u4e00\u4f4d\u63a8\u9500\u5458\u7684\u6b7b\u4ea1<\/td>Franz Planer<\/td>1951<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Frogmen<\/td>\u86d9\u4eba<\/td>Norbert Brodine<\/td>1951<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Strangers on a Train<\/td>\u5217\u8f66\u4e0a\u7684\u964c\u751f\u4eba<\/td>Robert Burks<\/td>1951<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
A Streetcar Named Desire<\/td>\u6b32\u671b\u53f7\u8857\u8f66<\/td>Harry Stradling<\/td>1951<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
An American in Paris<\/td>\u5929\u7a7a\u4e4b\u57ce<\/td>Alfred Gilks and John Alton<\/td>1951<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
David and Bathsheba<\/td>\u5927\u536b\u4e0e\u62d4\u793a\u5df4<\/td>Leon Shamroy<\/td>1951<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Quo Vadis<\/td>\u5168\u4e16\u754c\u548c\u5e73<\/td>Robert Surtees and William V. Skall<\/td>1951<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Show Boat<\/td>\u8239\u6b4c<\/td>Charles Rosher<\/td>1951<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
When Worlds Collide<\/td>\u5f53\u4e16\u754c\u78b0\u649e\u65f6<\/td>John F. Seitz and W. Howard Greene<\/td>1951<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Third Man<\/td>\u7b2c\u4e09\u4e2a\u7537\u4eba<\/td>Robert Krasker<\/td>1950<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
All About Eve<\/td>\u4f0a\u8299\u5973\u58eb<\/td>Milton Krasner<\/td>1950<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Asphalt Jungle<\/td>\u6ca5\u9752\u4e1b\u6797<\/td>Harold Rosson<\/td>1950<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Furies<\/td>\u52bf\u4e0d\u4e24\u7acb<\/td>Victor Milner<\/td>1950<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Sunset Boulevard<\/td>\u5929\u5802\u5927\u9053<\/td>John F. Seitz<\/td>1950<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
King Solomon’s Mines<\/td>\u6240\u7f57\u95e8\u738b\u5b9d\u85cf<\/td>Robert Surtees<\/td>1950<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Annie Get Your Gun<\/td>\u5b89\u59ae\u5e26\u4e0a\u4f60\u7684\u67aa<\/td>Charles Rosher<\/td>1950<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Broken Arrow<\/td>\u65ad\u7bad<\/td>Ernest Palmer<\/td>1950<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Flame and the Arrow<\/td>\u706b\u7130\u4e0e\u7bad<\/td>Ernest Haller<\/td>1950<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Samson and Delilah<\/td>\u53c2\u5b59\u548c\u8fbe\u8389\u62c9<\/td>George Barnes<\/td>1950<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Battleground<\/td>\u9635\u5730\u6218<\/td>Paul C. Vogel<\/td>1949<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Champion<\/td>\u51a0\u519b<\/td>Franz Planer<\/td>1949<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Come to the Stable<\/td>\u6765\u9a6c\u53a9<\/td>Joseph LaShelle<\/td>1949<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Heiress<\/td>\u7ee7\u627f\u4eba<\/td>Leo Tover<\/td>1949<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Prince of Foxes<\/td>\u72d0\u72f8\u738b\u5b50<\/td>Leon Shamroy<\/td>1949<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
She Wore a Yellow Ribbon<\/td>\u5979\u4f69\u6234\u7740\u4e00\u6761\u9ec4\u4e1d\u5e26<\/td>Winton C. Hoch<\/td>1949<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Barkleys of Broadway<\/td>\u8857\u5934\u5df4\u514b\u5229<\/td>Harry Stradling<\/td>1949<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Jolson Sings Again<\/td>\u4e54\u5c14\u68ee\u518d\u5ea6\u732e\u58f0<\/td>William E. Snyder<\/td>1949<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Little Women<\/td>\u5c0f\u5987\u4eba<\/td>Robert H. Planck and Charles Schoenbaum<\/td>1949<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Sand<\/td>\u6c99\u4e18<\/td>Charles G. Clarke<\/td>1949<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Naked City<\/td>\u88f8\u4f53\u57ce\u5e02<\/td>William Daniels<\/td>1948<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
A Foreign Affair<\/td>\u5916\u4e8b\u5173\u7cfb<\/td>Charles Lang<\/td>1948<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
I Remember Mama<\/td>\u6148\u6bcd\u6cea<\/td>Nicholas Musuraca<\/td>1948<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Johnny Belinda<\/td>\u7ea6\u7ff0\u5c3c\u00b7\u8d1d\u6797\u8fbe<\/td>Ted D. McCord<\/td>1948<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Portrait of Jennie<\/td>\u73cd\u59ae\u753b\u50cf<\/td>Joseph August (posthumously)<\/td>1948<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Joan of Arc<\/td>\u5723\u5973\u8d1e\u5fb7<\/td>Joseph Valentine, William V. Skall and Winton C. Hoch<\/td>1948<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Green Grass of Wyoming<\/td>\u6000\u4fc4\u660e\u7684\u7eff\u8349\u539f<\/td>Charles G. Clarke<\/td>1948<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Loves of Carmen<\/td>\u5361\u95e8\u4e4b\u604b<\/td>William E. Snyder<\/td>1948<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Three Musketeers<\/td>\u4e09\u4e2a\u706b\u67aa\u624b<\/td>Robert H. Planck<\/td>1948<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Great Expectations<\/td>\u4f1f\u5927\u7684\u671f\u671b<\/td>Guy Green<\/td>1947<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Green Dolphin Street<\/td>\u7eff\u8272\u6d77\u8c5a\u8857<\/td>George J. Folsey<\/td>1947<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Ghost and Mrs. Muir<\/td>\u5e7d\u7075\u4e0e\u7a46\u5c14\u592b\u4eba<\/td>Charles Lang<\/td>1947<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Black Narcissus<\/td>\u9ed1\u8272\u90a3\u65e0\u534e<\/td>Jack Cardiff<\/td>1947<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Life with Father<\/td>\u7236\u4eb2\u7684\u751f\u6d3b<\/td>J. Peverell Marley and William V. Skall<\/td>1947<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Mother Wore Tights<\/td>\u91d1\u7f15\u9713\u88f3<\/td>Harry Jackson<\/td>1947<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Anna and the King of Siam<\/td>\u5b89\u5a1c\u548c\u66b9\u7f57\u56fd\u738b<\/td>Arthur C. Miller<\/td>1946<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Green Years<\/td>\u7eff\u8272\u5e74\u534e<\/td>George J. Folsey<\/td>1946<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Yearling<\/td>\u5c0f\u9e7f\u6591\u6bd4<\/td>Charles Rosher, Leonard Smith and Arthur Arling<\/td>1946<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Jolson Story<\/td>\u4e54\u5c14\u68ee\u7684\u6545\u4e8b<\/td>Joseph Walker<\/td>1946<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Picture of Dorian Gray<\/td>\u591a\u91cc\u5b89\u00b7\u683c\u96f7\u7684\u753b\u50cf<\/td>Harry Stradling<\/td>1945<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Keys of the Kingdom<\/td>\u8eab\u4efd\u7684\u94a5\u5319<\/td>Arthur C. Miller<\/td>1945<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Lost Weekend<\/td>\u5931\u843d\u7684\u5468\u672b<\/td>John F. Seitz<\/td>1945<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Mildred Pierce<\/td>\u7c73\u5c14\u5f97\u74e6\u5fb7\u00b7\u76ae\u5c14\u65af<\/td>Ernest Haller<\/td>1945<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Spellbound<\/td>\u50ac\u7720<\/td>George Barnes<\/td>1945<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Leave Her to Heaven<\/td>\u5c06\u5979\u7559\u5728\u5929\u5802<\/td>Leon Shamroy<\/td>1945<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Anchors Aweigh<\/td>\u951a\u626c\u5e06<\/td>Robert H. Planck and Charles P. Boyle<\/td>1945<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
National Velvet<\/td>\u56fd\u5bb6\u5929\u9e45\u7ed2<\/td>Leonard Smith<\/td>1945<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
A Song to Remember<\/td>\u8bb0\u5fc6\u4e4b\u6b4c<\/td>Tony Gaudio and Allen M. Davey<\/td>1945<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Spanish Main<\/td>\u767e\u6155\u5927\u602a\u8239<\/td>George Barnes<\/td>1945<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Laura<\/td>\u8001\u5a18\u9c7c<\/td>Joseph LaShelle<\/td>1944<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Double Indemnity<\/td>\u53cc\u91cd\u8d54\u507f<\/td>John F. Seitz<\/td>1944<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Dragon Seed<\/td>\u9f99\u79cd<\/td>Sidney Wagner<\/td>1944<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Gaslight<\/td>\u7164\u6c14\u706f<\/td>Joseph Ruttenberg<\/td>1944<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Going My Way<\/td>\u5411\u524d\u8d70<\/td>Lionel Lindon<\/td>1944<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Lifeboat<\/td>\u6551\u751f\u8247<\/td>Glen MacWilliams<\/td>1944<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Since You Went Away<\/td>\u4f60\u79bb\u5f00\u540e<\/td>Stanley Cortez and Lee Garmes<\/td>1944<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Thirty Seconds Over Tokyo<\/td>\u4e09\u5341\u79d2\u98de\u8d8a\u4e1c\u4eac<\/td>Robert Surtees and Harold Rosson<\/td>1944<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Uninvited<\/td>\u672a\u88ab\u9080\u8bf7\u7684\u4eba<\/td>Charles Lang<\/td>1944<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The White Cliffs of Dover<\/td>\u591a\u4f5b\u5c14\u7684\u767d\u5d16<\/td>George J. Folsey<\/td>1944<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Wilson<\/td>\u5a01\u5c14\u900a<\/td>Leon Shamroy<\/td>1944<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Cover Girl<\/td>\u5c01\u9762\u5973\u90ce<\/td>Rudolph Mat\u00e9 and Allen M. Davey<\/td>1944<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Home in Indiana<\/td>\u5370\u5730\u5b89\u7eb3\u4e4b\u5bb6<\/td>Edward Cronjager<\/td>1944<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Kismet<\/td>\u547d\u8fd0\u4e4b\u5947\u8ff9<\/td>Charles Rosher<\/td>1944<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Lady in the Dark<\/td>\u9ed1\u6697\u4e2d\u7684\u5973\u58eb<\/td>Ray Rennahan<\/td>1944<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Meet Me in St. Louis<\/td>\u5728\u5723\u8def\u6613\u65af\u89c1\u6211<\/td>George J. Folsey<\/td>1944<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Song of Bernadette<\/td>\u6ce2\u5357\u5ea6\u7684\u6b4c\u58f0<\/td>Arthur C. Miller<\/td>1943<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Air Force<\/td>\u7a7a\u519b<\/td>James Wong Howe, Elmer Dyer and Charles A. Marshall<\/td>1943<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Casablanca<\/td>\u5361\u8428\u5e03\u5170\u5361<\/td>Arthur Edeson<\/td>1943<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Corvette K-225<\/td>\u5927\u897f\u6d0b\u4e4b\u6218<\/td>Tony Gaudio<\/td>1943<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Five Graves to Cairo<\/td>\u5f00\u7f57\u7684\u4e94\u4e2a\u575f\u5893<\/td>John F. Seitz<\/td>1943<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Human Comedy<\/td>\u4eba\u95f4\u559c\u5267<\/td>Harry Stradling<\/td>1943<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Madame Curie<\/td>\u5c45\u91cc\u592b\u4eba<\/td>Joseph Ruttenberg<\/td>1943<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The North Star<\/td>\u5317\u6781\u661f<\/td>James Wong Howe<\/td>1943<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Sahara<\/td>\u6492\u54c8\u62c9<\/td>Rudolph Mat\u00e9<\/td>1943<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
So Proudly We Hail!<\/td>\u6211\u4eec\u96c4\u8fa9\u5730\u6b4c\u9882\uff01<\/td>Charles Lang<\/td>1943<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Phantom of the Opera<\/td>\u6b4c\u5267\u9b45\u5f71<\/td>Hal Mohr and W. Howard Greene<\/td>1943<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
For Whom the Bell Tolls<\/td>\u4e27\u949f\u4e3a\u8c01\u800c\u9e23<\/td>Ray Rennahan<\/td>1943<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Heaven Can Wait<\/td>\u5929\u5802\u53ef\u4ee5\u7b49\u5f85<\/td>Edward Cronjager<\/td>1943<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Hello Frisco, Hello<\/td>\u6625\u98ce\u5f97\u610f<\/td>Charles G. Clarke and Allen M. Davey<\/td>1943<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Lassie Come Home<\/td>\u6765\u5427\uff0c\u83b1\u897f<\/td>Leonard Smith<\/td>1943<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Thousands Cheer<\/td>\u5343\u4e07\u6b22\u547c<\/td>George J. Folsey<\/td>1943<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Mrs. Miniver<\/td>\u7c73\u5c3c\u5f17\u592b\u4eba<\/td>Joseph Ruttenberg<\/td>1942<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Kings Row<\/td>\u56fd\u738b\u7eaa\u5143<\/td>James Wong Howe<\/td>1942<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Magnificent Ambersons<\/td>\u5b89\u4f2f\u68ee\u4e00\u5bb6\u7684\u534e\u4e3d<\/td>Stanley Cortez<\/td>1942<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Moontide<\/td>\u6f6e\u6c34<\/td>Charles G. Clarke<\/td>1942<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Pied Piper<\/td>\u6392\u7b1b\u624b<\/td>Edward Cronjager<\/td>1942<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Pride of the Yankees<\/td>\u7f8e\u56fd\u4eba\u6c11\u7684\u9a84\u50b2<\/td>Rudolph Mat\u00e9<\/td>1942<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Take a Letter, Darling<\/td>\u4eb2\u7231\u7684\uff0c\u5199\u4e00\u5c01\u4fe1<\/td>John J. Mescall<\/td>1942<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Talk of the Town<\/td>\u5c0f\u9547\u4f20\u95fb<\/td>Ted Tetzlaff<\/td>1942<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Ten Gentlemen from West Point<\/td>\u5341\u4f4d\u6765\u81ea\u897f\u70b9\u7684\u7ec5\u58eb<\/td>Leon Shamroy<\/td>1942<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
This Above All<\/td>\u9664\u6b64\u4ee5\u5916\u7684<\/td>Arthur C. Miller<\/td>1942<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Black Swan<\/td>\u9ed1\u5929\u9e45<\/td>Leon Shamroy<\/td>1942<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Arabian Nights<\/td>\u963f\u62c9\u4f2f\u4e4b\u591c<\/td>Milton Krasner, William V. Skall and W. Howard Greene<\/td>1942<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Captains of the Clouds<\/td>\u4e91\u7684\u8239\u957f<\/td>Sol Polito<\/td>1942<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Jungle Book<\/td>\u4e1b\u6797\u4e66<\/td>W. Howard Greene<\/td>1942<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Reap the Wild Wind<\/td>\u6536\u5272\u72c2\u98ce<\/td>Victor Milner and William V. Skall<\/td>1942<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
To the Shores of Tripoli<\/td>\u5230\u7684\u9ece\u6ce2\u91cc\u6d77\u5cb8<\/td>Edward Cronjager and William V. Skall<\/td>1942<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
How Green Was My Valley<\/td>\u6211\u7684\u9752\u8349\u5730<\/td>Arthur C. Miller<\/td>1941<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Chocolate Soldier<\/td>\u5de7\u514b\u529b\u58eb\u5175<\/td>Karl Freund<\/td>1941<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Citizen Kane<\/td>\u516c\u6c11\u51ef\u6069<\/td>Gregg Toland<\/td>1941<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Dr. Jekyll and Mr. Hyde<\/td>\u6770\u514b\u5c14\u4e0e\u6d77\u5fb7\u535a\u58eb<\/td>Joseph Ruttenberg<\/td>1941<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Here Comes Mr. Jordan<\/td>\u4e54\u4e39\u6765\u4e86<\/td>Joseph Walker<\/td>1941<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Hold Back the Dawn<\/td>\u5fcd\u8010\u9ece\u660e<\/td>Leo Tover<\/td>1941<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Sergeant York<\/td>\u7ea6\u514b\u519b\u58eb<\/td>Sol Polito<\/td>1941<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Sun Valley Serenade<\/td>\u65e5\u843d\u5c71\u8c37\u7684\u72c2\u60f3\u66f2<\/td>Edward Cronjager<\/td>1941<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Sundown<\/td>\u65e5\u843d\u65f6\u5206<\/td>Charles Lang<\/td>1941<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
That Hamilton Woman<\/td>\u6c49\u5bc6\u5c14\u987f\u5973\u58eb<\/td>Rudolph Mat\u00e9<\/td>1941<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Blood and Sand<\/td>\u8840\u4e0e\u6c99<\/td>Ernest Palmer and Ray Rennahan<\/td>1941<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Aloma of the South Seas<\/td>\u5357\u6d77\u7684\u963f\u6d1b\u739b<\/td>Wilfred M. Cline, Karl Struss and William E. Snyder<\/td>1941<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Billy the Kid<\/td>\u57c3\u5c14<\/td>William V. Skall and Leonard Smith<\/td>1941<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Blossoms in the Dust<\/td>\u571f\u4e2d\u5f00\u82b1<\/td>Karl Freund and W. Howard Greene<\/td>1941<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Dive Bomber<\/td>\u4fef\u51b2\u8f70\u70b8\u673a<\/td>Bert Glennon<\/td>1941<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Louisiana Purchase<\/td>\u8def\u6613\u65af\u5b89\u90a3\u8d2d\u4e70<\/td>Harry Hallenberger and Ray Rennahan<\/td>1941<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Rebecca<\/td>\u60f9\u5361\u8ff7<\/td>George Barnes<\/td>1940<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Abe Lincoln in Illinois<\/td>\u4f0a\u5229\u8bfa\u65af\u5dde\u7684\u6797\u80af<\/td>James Wong Howe<\/td>1940<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
All This, and Heaven Too<\/td>\u8fd9\u4e00\u5207\uff0c\u8fd8\u6709\u5929\u5802<\/td>Ernest Haller<\/td>1940<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Arise, My Love<\/td>\u7231\u7684\u5d1b\u8d77<\/td>Charles Lang<\/td>1940<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Boom Town<\/td>\u7e41\u8363\u57ce\u5e02<\/td>Harold Rosson<\/td>1940<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Foreign Correspondent<\/td>\u5916\u5730\u4eb2\u4e8b<\/td>Rudolph Mat\u00e9<\/td>1940<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Letter<\/td>\u4fe1\u4ef6<\/td>Tony Gaudio<\/td>1940<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Long Voyage Home<\/td>\u6f2b\u957f\u7684\u5f52\u9014<\/td>Gregg Toland<\/td>1940<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Spring Parade<\/td>\u6625\u5929\u6e38\u884c<\/td>Joseph Valentine<\/td>1940<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Waterloo Bridge<\/td>\u6ed1\u94c1\u5362\u6865<\/td>Joseph Ruttenberg<\/td>1940<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Thief of Bagdad<\/td>\u5df4\u683c\u8fbe\u7684\u76d7\u8d3c<\/td>Georges P\u00e9rinal<\/td>1940<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Bitter Sweet<\/td>\u82e6\u751c\u4e4b\u95f4<\/td>Oliver T. Marsh and Allen M. Davey<\/td>1940<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Blue Bird<\/td>\u84dd\u9e1f<\/td>Arthur C. Miller and Ray Rennahan<\/td>1940<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Down Argentine Way<\/td>\u963f\u6839\u5ef7\u4e4b\u8def<\/td>Leon Shamroy and Ray Rennahan<\/td>1940<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
North West Mounted Police<\/td>\u52a0\u62ff\u5927\u897f\u5317\u9a7b\u519b<\/td>Victor Milner and W. Howard Greene<\/td>1940<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Northwest Passage<\/td>\u897f\u5317\u901a\u9053<\/td>Sidney Wagner and William V. Skall<\/td>1940<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Wuthering Heights<\/td>\u5486\u54ee\u5c71\u5e84<\/td>Gregg Toland<\/td>1939<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Stagecoach<\/td>\u9a6c\u8f66<\/td>Bert Glennon<\/td>1939<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Gone With the Wind<\/td>\u4e71\u4e16\u4f73\u4eba<\/td>Ernest Haller and Ray Rennahan<\/td>1939<\/td>\u83b7\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Private Lives of Elizabeth and Essex<\/td>\u4f0a\u4e3d\u838e\u767d\u548c\u57c3\u585e\u514b\u65af\u7684\u79c1\u751f\u6d3b<\/td>Sol Polito and W. Howard Greene<\/td>1939<\/td>\u63d0\u540d\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Great Waltz<\/td>\u4f1f\u5927\u7684\u534e\u5c14\u5179<\/td>Joseph Ruttenberg<\/td>1938<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Algiers<\/td>\u963f\u5c14\u53ca\u5c14<\/td>James Wong Howe<\/td>1938<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Army Girl<\/td>\u519b\u5ac2<\/td>Ernest Miller and Harry J. Wild<\/td>1938<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Buccaneer<\/td>\u6d77\u76d7<\/td>Victor Milner<\/td>1938<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Jezebel<\/td>\u8036\u6d17\u522b<\/td>Ernest Haller<\/td>1938<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Mad About Music<\/td>\u75af\u72c2\u4e8e\u97f3\u4e50<\/td>Joseph Valentine<\/td>1938<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Merrily We Live<\/td>\u751f\u6d3b\u5f97\u6109\u5feb<\/td>Norbert Brodine<\/td>1938<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Suez<\/td>\u82cf\u4f0a\u58eb<\/td>J. Peverell Marley<\/td>1938<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Vivacious Lady<\/td>\u6d3b\u6cfc\u7684\u5973\u58eb<\/td>Robert De Grasse<\/td>1938<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
You Can’t Take It with You<\/td>\u4f60\u4e0d\u80fd\u5e26\u8d70\u5b83<\/td>Joseph Walker<\/td>1938<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Young in Heart<\/td>\u5e74\u8f7b\u4e2d\u7684\u5fc3\u7075<\/td>Leon Shamroy<\/td>1938<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Sweethearts<\/td>\u751c\u5fc3<\/td>Oliver T. Marsh and Allen Davey<\/td>1938<\/td>\u7279\u522b\u6210\u5c31\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
The Good Earth<\/td>\u5927\u5730<\/td>Karl Freund<\/td>1937<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Dead End<\/td>\u6b7b\u80e1\u540c<\/td>Gregg Toland<\/td>1937<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
Wings over Honolulu<\/td>\u900d\u9065\u6cd5\u5916<\/td>Joseph Valentine<\/td>1937<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
A Star Is Born<\/td>\u4e00\u9897\u660e\u661f\u7684\u8bde\u751f<\/td>W. Howard Greene<\/td>1937<\/td>\u7279\u522b\u6210\u5c31\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
Anthony Adverse<\/td>\u5b89\u4e1c\u5c3c\u00b7\u963f\u5fb7\u65af<\/td>Tony Gaudio<\/td>1936<\/td>\u83b7\u5956\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The General Died at Dawn<\/td>\u5c06\u519b\u5728\u9ece\u660e\u65f6\u901d\u4e16<\/td>Victor Milner<\/td>1936<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Gorgeous Hussy<\/td>\u7f8e\u4e3d\u7684\u8d1e\u5973<\/td>George J. Folsey<\/td>1936<\/td>\u63d0\u540d\uff08\u9ed1\u767d\uff09<\/td>\n<\/tr>\n
The Garden of Allah<\/td>\u963f\u62c9\u7684\u82b1\u56ed<\/td>W. Howard Greene and Harold Rosson<\/td>1936<\/td>\u7279\u522b\u6210\u5c31\u5956\uff08\u5f69\u8272\uff09<\/td>\n<\/tr>\n
A Midsummer Night’s Dream<\/td>\u4ef2\u590f\u591c\u4e4b\u68a6<\/td>Hal Mohr<\/td>1935<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Barbary Coast<\/td>\u5df4\u5df4\u5229\u6d77\u5cb8<\/td>Ray June<\/td>1935<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Crusades<\/td>\u5341\u5b57\u519b\u4e1c\u5f81<\/td>Victor Milner<\/td>1935<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Les Mis\u00e9rables<\/td>\u60b2\u60e8\u4e16\u754c<\/td>Gregg Toland<\/td>1935<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Cleopatra<\/td>\u514b\u8389\u5965\u4f69\u7279\u62c9<\/td>Victor Milner<\/td>1934<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
The Affairs of Cellini<\/td>\u585e\u5229\u5c3c\u7684\u604b\u60c5<\/td>Charles Rosher<\/td>1934<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Operator 13<\/td>\u7b2c13\u53f7\u64cd\u4f5c\u5458<\/td>George J. Folsey<\/td>1934<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
A Farewell to Arms<\/td>\u9053\u522b\u7684\u6b66\u5668<\/td>Charles Lang<\/td>1932\/33<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Reunion in Vienna<\/td>\u7ef4\u4e5f\u7eb3\u91cd\u9022<\/td>George J. Folsey<\/td>1932\/33<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Sign of the Cross<\/td>\u5341\u5b57\u67b6\u7684\u6807\u5fd7<\/td>Karl Struss<\/td>1932\/33<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Shanghai Express<\/td>\u4e0a\u6d77\u7279\u5feb<\/td>Lee Garmes<\/td>1931\/32<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Arrowsmith<\/td>\u5c04\u624b<\/td>Ray June<\/td>1931\/32<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Dr. Jekyll and Mr. Hyde<\/td>\u6770\u514b\u5c14\u535a\u58eb\u548c\u6d77\u5fb7\u5148\u751f<\/td>Karl Struss<\/td>1931\/32<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Tabu: A Story of the South Seas<\/td>\u5357\u6d77\u7684\u7981\u5fcc\uff1a\u4e00\u4e2a\u6545\u4e8b<\/td>Floyd Crosby<\/td>1930\/31<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
Cimarron<\/td>\u897f\u9a6c\u9686<\/td>Edward Cronjager<\/td>1930\/31<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Morocco<\/td>\u6469\u6d1b\u54e5<\/td>Lee Garmes<\/td>1930\/31<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Right to Love<\/td>\u7231\u7684\u6743\u5229<\/td>Charles Lang<\/td>1930\/31<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Svengali<\/td>\u65af\u6587\u52a0\u5229<\/td>Barney McGill<\/td>1930\/31<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
With Byrd at the South Pole<\/td>\u4e0e\u4f2f\u5fb7\u4e00\u8d77\u5728\u5357\u6781<\/td>Joseph T. Rucker and Willard Van der Veer<\/td>1929\/30<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
All Quiet on the Western Front<\/td>\u897f\u7ebf\u65e0\u6218\u4e8b<\/td>Arthur Edeson<\/td>1929\/30<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Anna Christie<\/td>\u5b89\u5a1c\u2022\u514b\u91cc\u65af\u8482<\/td>William H. Daniels<\/td>1929\/30<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Hell’s Angels<\/td>\u5730\u72f1\u5929\u4f7f<\/td>Tony Gaudio and Harry Perry<\/td>1929\/30<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Love Parade<\/td>\u7231\u7684\u5de1\u6e38<\/td>Victor Milner<\/td>1929\/30<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
White Shadows in the South Seas<\/td>\u5357\u6d77\u7684\u767d\u5f71<\/td>Clyde De Vinna<\/td>1928\/29<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
The Divine Lady<\/td>\u795e\u5723\u7684\u5973\u58eb<\/td>John F. Seitz<\/td>1928\/29<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
4 Devils<\/td>\u56db\u4e2a\u6076\u9b54<\/td>Ernest Palmer<\/td>1928\/29<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
In Old Arizona<\/td>\u5728\u8001\u4e9a\u5229\u6851\u90a3<\/td>Arthur Edeson<\/td>1928\/29<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Our Dancing Daughters<\/td>\u6211\u4eec\u7684\u821e\u8e48\u5973\u513f<\/td>George Barnes<\/td>1928\/29<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Street Angel<\/td>\u8857\u5929\u4f7f<\/td>Ernest Palmer<\/td>1928\/29<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Sunrise: A Song of Two Humans<\/td>\u65e5\u51fa\uff1a\u4e24\u4e2a\u4eba\u7684\u6b4c\u66f2<\/td>Charles Rosher Karl Struss<\/td>1927\/28<\/td>\u83b7\u5956<\/td>\n<\/tr>\n
The Devil Dancer<\/td>\u6076\u9b54\u821e\u8005<\/td>George Barnes<\/td>1927\/28<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
The Magic Flame<\/td>\u795e\u5947\u7684\u706b\u7130<\/td>George Barnes<\/td>1927\/28<\/td>\u63d0\u540d<\/td>\n<\/tr>\n
Sadie Thompson<\/td>\u838e\u8fea\u00b7\u6c64\u666e\u68ee<\/td>George Barnes<\/td>1927\/28<\/td>\u63d0\u540d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

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